Hmmm. I’m going
to have to be honest, and so many of you may not like it, so if you don’t, log
out now.
Why was it so
slow? If the book just moved, there wouldn’t need to be a duet. I’ve read
plenty of slow burn books that started and finished in one sitting. That said, I used to cite the Deception Trilogy by Rina Kent as an example, until I revisited it after a long break from her books—and now I wish it had two more instalments. Back to the point, there is no need for a duet if we moved on and stopped describing every little thing. An English
teacher’s dream and a student’s worst nightmare.
To clarify, I
understand why it’s a duet; I just don’t understand why this book
was moving at such a snail’s pace. For the plot, a duet is necessary, but for
the story, such unnecessary description is not. I haven’t read her Sinners
series in a while, though, and upon reflection, the writing does match the
author herself, so maybe it’s just a reading error. Also, the book had errors,
and I love it when publishing houses go on about attention to detail, but then
the authors they publish make those mistakes themselves. Oh, the irony. The
double take I do when I see a mistake is so comical. Somme Sketcher is not under
a publishing house at the moment; she’s indie, but you get the principle.
First there was
endless chatter about Gabe and Wren meeting for the first time, then the bridesmaid’s
night wouldn’t end, and the same with the wedding. I’m glad we got to the poker
night, and my crush for Rafe had just been ignited once again. Just get it
moving. Every whoosh of the wind didn’t need to be discussed, every time the
scar came into focus it didn’t need to be worked on like a surgeon during an
operation, and every time Wren was intimidated by Gabe didn’t need to be
thrashed about. The frustration I get when a story has potential but is ruined
somewhere in the process is on my betrayal list. Such a stark contrast to the
writing in the previous three books.
Of course, I’m itching
to know the secret behind Wren, her pinkness, and the reason she stopped
driving. The reason she’s doing all this good to cancel out the one bad. I
loved seeing more of Rory, though why was she portrayed so ditsy in this book?
She was far from it in her own.
Now, anything
monumental I remember from here? Not really. Duets just need to be released
together; it really hinders the plot. Though this book did not have a lot of
plot to offer. The only word I can use is frustrating. Like a red flag that is
constantly red flagging.
The suspense
about the nightly email Wren got every night wasn’t anything groundbreaking. I
skipped past Milfred Black many times, so I had to go back to find anything
substantial, and I just did not. It really didn’t have to be a duet. I liked
the last scene when David was literally withering away and Wren was slowly
letting the pink façade fall away. I especially enjoyed Gabe giving into his
impulses, but then again, I cannot for the life of me find excitement for the
next book. It’s just irritating me.
I guess what kept
me reading was these lessons Gabe was giving, and when she stumbled upon Gabe
in the middle of her panic attack. Those were parts I found out a lot more.
In terms of
rating, 3.5 stars. A bit overhyped and very anticipated. I liked it, but not
enough to revisit it. It just wasn’t paced well; the characters did and still
do have a lot of potential. I can see how they will be explored more in the
second book. It felt as if the suspense was being created too much and that we
were trying to drag out the book to the point of anticipated suspense, but this
wasn’t it. It didn’t leave me wanting more; it left me irritated.
If the
descriptive writing doesn’t add to the plot, we don’t need to visit it so many
times. I get trying to explain to readers who haven’t read the series so far
need a backstory; however, this isn’t how you do it.
I’m in no way
discrediting the author. It’s okay not to love one book out of four. It’s
normal. Take the Rosehill series by Elsie Silver for example. I didn’t
like the first book, I liked the second and third ones, and I haven’t even got
past chapter four in the last book called Wild Card. I can promise you I
won’t even finish reading that one. It’s fine, literally no big deal.
I’m impressed by
the consistent hype from her last duet till now; that was something. It’s not
easy to do that. So from a PR point, it was 5/5.
All in all, I
cannot say I remember anything substantial from this read. I was more thrilled
to see reappearances of older characters, most when I saw the mention of Rafe
Visconti. I am very interested in Cas and Tor still.
I’m sure I will prefer the second book in the duet.
Sigh.
Still love Somme
Sketcher and the world she created. One book I don’t necessarily love doesn’t
mean I booted her off my list.
Anyone feel the
same? Please someone say they do. The guilt brewing inside me is……..like I said
brewing.
Until next time book loves.
Mwah.
Vivian.

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